Native Instruments is a leading manufacturer of software and hardware for computerbased audio production and DJing. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique used to produce distinctive percussive or rhythmic sounds and sound effects by. Microsoft. The fiercely competitive software giant is positioning its wares for cloud computing with software and services. The companys two cash cows operating. Negozio storico attivo dal 1979 come dj point. Leader nel settore, vanta unesperienza ultra trentennale nella vendita per corrispondenza. Emule 0.45 Gratis Italiano Per Xp 0.49. Search any recording studio or live music venue and you will surely find a Shure SM58 microphone. The mic has a cardioid polar pattern, which means its more. Pro and edjing Scratch. Break down the musical creation entry barriers and help music lovers to improve. Meet edjing Mix to start mixing, edjing Pro to take your DJing practice to the next. Mixfader dj to improve your scratching technique. Discover edjing and edjing Pro, the most powerful DJ apps for music lovers Mix on Android, Windows and iOS devices and record then share your DJ setsStencyl is a game creation platform that allows users to create 2D video games for computers, mobile devices, and the web. Mahabharatam Telugu Pdf. The software is available for free, with. Traktor Pro 2 is an integrated DJ mixer with studioquality EQs and filters, flexible performance effects, automatic beatmatching and intuitive control. Scratching Wikipedia. The DJ on the right is scratching. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique used to produce distinctive percussive or rhythmic sounds and sound effects by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with hip hop music, where it emerged in the mid 1. Within hip hop culture, scratching is one of the measures of a DJs skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA International DJ Association, formerly known as ITF International Turntablist Federation. At scratching competitions, DJs can use only scratch oriented gear turntables, DJ mixer, digital vinyl systems or vinyl records only. In recorded hip hop songs, scratched hooks often use portions of other songs. Qm83wl5MrCl.jpg' alt='I Scratch Mix Live Software' title='I Scratch Mix Live Software' />HistoryeditPrecursorseditA rudimentary form of turntable manipulation which is related to scratching was developed in the late 1. DJs music program hosts or the radio program producers who did their own technical operation as audio console operators. It was known as back cueing, and was used to find the very beginning of the start of a song i. This was done to permit the operator to back the disc up rotate the record or the turntable platter itself counter clockwise in order to permit the turntable to be switched on, and come up to full speed without ruining the first few bars of music with the wow of incorrect, unnaturally slow speed playing. This permitted the announcer to time her or his remarks and start the turntable a scant moment before she or he actually wanted the music on the record to begin. Back cueing was a basic skill that all radio production staff needed to learn, and the dynamics of it were unique to the brand of professional turntable in use at a given radio station. The older, larger and heavier turntables needed a 1. I Scratch Mix Live Software' title='I Scratch Mix Live Software' />All this was done in order to present a music show on air with the least amount of silence dead air between music, the announcers patter and recorded advertising commercials. The rationale was that any dead air on a radio station was likely to prompt a listener to switch stations, so announcers and program directors instructed DJs and announcers to provide a continuous, seamless stream of soundfrom music to an announcer to a pre recorded commercial, to a jingle radio station theme song, and then immediately back to more music. Back cueing was a key function in delivering this seamless stream of music. Radio personnel demanded robust equipment and manufacturers developed special tonearms, styli, cartridges and lightweight turntables to meet these demands. Turntablismedit. In the early 1. South Bronx, a young teen DJ named Grand Wizzard Theodore right invented the DJ scratch technique. Other DJs, like Grandmaster Flash, took the technique to higher levels. Modern scratching techniques were made possible by the invention of direct drive turntables, which led to the emergence of turntablism. Early belt drive turntables were unsuitable for scratching, since they had a slow start up time, and they were prone to wear and tear and breakage,1 as the belt would break from backspinning or scratching. The first direct drive turntable was invented by Shuichi Obata, an engineer at Matsushita now Panasonic,3 based in Osaka, Japan. It eliminated belts, and instead employed a motor to directly drive a platter on which a vinyl record rests. In 1. Matsushita released it as the SP 1. Technics series of turntables. In the 1. DJs began to use this specialized turntable equipment to move the record back and forth, creating percussive sounds and effectsscratchingto entertain their dance floor audiences. Whereas 1. 94. 0s 1. DJs had used back cueing while listening to the sounds through their headphones, without the audience hearing, with scratching, the DJ intentionally lets the audience hear the sounds that are being created by manipulating the record on the turntable, by directing the output from the turntable to a sound reinforcement system so that the audience can hear the sounds. Scratching was developed by early hip hop DJs from New York City such as Grand Wizard Theodore, who described scratching as, nothing but the back cueing that you hear in your ear before you push it the recorded sound out to the crowd. He developed the technique when experimenting with the Technics SL 1. Matsushita in 1. 97. RPM even if the DJ wiggled the record back and forth on the platter. Afrika Bambaataa made a similar discovery with the SL 1. The Technics SL 1. Jamaican born DJ Kool Herc, who immigrated to New York City, influenced the early development of scratching. Kool Herc developed break beat. DJing, where the breaks of funk songsbeing the most danceable part, often featuring percussionwere isolated and repeated for the purpose of all night dance parties. He was influenced by Jamaican dub music,9 and developed his turntable techniques using the Technics SL 1. Although previous artists such as writer and poet William S. Burroughs had experimented with the idea of manipulating a reel to reel tape manually to make sounds, as with his 1. Sound Piece, vinyl scratching as an element of hip hop pioneered the idea of making the sound an integral and rhythmic part of music instead of an uncontrolled noise. Scratching is related to scrubbing in terms of audio editing and production when the reels of an open reel to reel tape deck typically 14 inch magnetic audio tape are gently rotated back and forth while the playback head is live and amplified, in order to isolate a specific spot on the tape where an editing cut is to be made. In the 2. 01. 0s, both scratching and scrubbing can be done on digital audio workstations DAWs which are equipped for these techniques. Christian Marclay was one of the earliest musicians to scratch outside hip hop. In the mid 1. 97. Marclay used gramophone records and turntables as musical instruments to create sound collages. He developed his turntable sounds independently of hip hop DJs. Although he is little known to mainstream audiences, Marclay has been described as the most influential turntable figure outside hip hop1. In 1. 98. 1 Grandmaster Flash released the song The Adventures of Grandmaster Flash on the Wheels of Steel which is notable for its use of many DJ scratching techniques. It was the first commercial recording produced entirely using turntables. In 1. 98. 2, Malcolm Mc. Laren the Worlds Famous Supreme Team released a single Buffalo Gals, juxtaposing extensive scratching with calls from square dancing, and, in 1. EP, Dya Like Scratchin, which is entirely focused on scratching. Another 1. 98. 3 release to prominently feature scratching is Herbie Hancocks Grammy Award winning single Rockit. This song was also performed live at the 1. Grammy Awards, and in the documentary film Scratch, the performance is cited by many 1. DJs as their first exposure to scratching. The Street Sounds Electro compilation series which started in 1. Also a notable piece was For A Few Dollars More by Bill Laswell Michael Beinhorn band Material, released on 1. Japan and containing scratch performed by Grand Mixer DXT, another pioneer of scratching.